P1
A) Horror analysis
B) Mind map

C)Treatment and mood-board
Location: Cambridge Date:
Scene
|
Shot
|
Shot size/angle
|
Movement
|
Int/Ext
|
Time of Day
|
Shot Description
|
Notes
|
1
|
1
|
Mid-shot
|
N/A
|
Int
|
9:20pm
|
A mid-shot looking down the train carriage (interior) the train will be moving.
| |
1
|
2
|
Mid-shot
|
N/A
|
Int
|
9:20
|
Camera will be positioned towards the window from the opposing seats. We will then hear a phone ringing.
| |
1
|
3
|
Mid-shot/close-up
|
Movement of the hand as she picks up the phone.
|
Int
|
9:21
|
A 2.0x zoomed in shot of Billie picking up the phone, camera will be on the other side of the carriage. Will be above waist line.
| |
1
|
4
|
Mid-shot/close-up
|
Billie talking
|
Int
|
9:21
|
Camera will be positioned slightly more to the right, 2.0x zoom.
| |
1
|
5
|
mid-shot
|
Billie putting the phone down
|
Int
|
9:21
|
Shot of Billie ending the phone call to her mum, will have some dialogue. Camera will be positioned in the middle of the carriage.
|
Will be on a tripod.
|
2
|
1
|
POV of stalker
|
N/A
|
Int
|
9:21
|
POV of stalker watching Billie though the gaps in the seat, the camera will be moving slightly to imitate his breathing.
| |
2
|
2
|
Over the shoulder shot
|
Will be on her phone
|
Int
|
9:21
|
Over the shoulder of Billie on her phone scrolling through social media, she will then get a phone call from ‘no caller ID’
| |
2
|
3
|
Close up
|
N/A
|
Int
|
9:22
|
Close up of ‘no caller ID’ appearing
| |
2
|
4
|
POV of Billie
|
N/A
|
Int
|
9:22
|
POV of Billie looking though the train carriage, she will see nothing.
| |
2
|
5
|
POV of stalker
|
N/A
|
Int
|
9:22
|
Camera will be positioned though the gap in the seats again with a little movement to imitate breathing.
|
He will say ‘you look pretty…
|
2
|
6
|
Mid-shot
|
Billie on the phone, she will then hang-up and continue scrolling.
|
Int
|
9:22
|
Mid-shot, camera will be positioned to her right, she will dismiss the phone call as one of her friends.
| |
2
|
7
|
Mid-shot/wide-shot
|
N/A
|
Int
|
9:23
|
Shot of the carriage, camera will be on a tripod at standing eye level. We will then hear the calling again.
|
She will then get a call again.
|
2
|
8
|
Close-up
|
Billie on the phone.
|
Int
|
9:23
|
Close up on the face as she gets a second call.
| |
2
|
9
|
Wide shot
|
N/A
|
Int
|
9:24
|
Wide shot of the ‘empty’ carriage.
| |
3
|
1
|
Tracking shot
|
Billie standing up and walking to the door.
|
Int
|
9:25
|
Doors will open on the right, the camera will be positioned on the left at standing height.
| |
3
|
2
|
Mid-shot
|
Billie stepping out of the train, and then Roger from the carriage behind.
|
Ext
|
9:25
|
Zoomed in mid-shot (about 3.0x). the camera will be further down the carriage slightly to the right of their walking path.
| |
3
|
3
|
Wide-shot
|
People moving in distance.
|
Ext
|
9:25
|
Wide shot of the train station platform.
| |
3
|
4
|
Mid-shot
|
Bus/cars driving by.
|
Ext
|
9:27
|
Shot of passing vehicles.
|
On a tripod.
|
3
|
5
|
Wide-shot
|
Billie walking out of train station.
|
Ext
|
9:27
|
Shot will be slightly zoomed in (around 1.5x) positioned to the sharp right of the exit.
| |
3
|
6
|
Over the shoulder
|
Roger walking behind Billie
|
Ext
|
9:28
|
Zoomed in shot 2.0x of roger behind Billie, she will walk out of the shot towards the camera in front of her to reveal roger behind her.
| |
3
|
7
|
Tracking shot
|
Billie walking, then looking behind her to cross the road.
|
Ext
|
9:29
|
The camera will be moving along with Billie positioned at eye level in front of her, the shot will be smooth.
| |
3
|
8
|
POV of Roger
|
Billie walking in front of him.
|
Ext
|
9:29
|
POV of Roger behind Billie, the shot will be a little shaky.
| |
3
|
9
|
Mid-shot
|
Billie walking down a path.
|
Ext
|
9:30
|
Shot of Billie walking down path.
| |
3
|
10
|
Close-up
|
Billie looking behind her.
|
Ext
|
9:32
|
Close up of billies face as she looks behind her to see Roger again.
| |
3
|
11
|
Over the shoulder
|
Billie messaging her mum on her phone,
|
Ext
|
9:33
|
Camera will be held above her shoulder as she’s walking.
|
‘i think someone's following me’
|
3
|
12
|
POV of Roger
|
Billie walking in front.
|
Ext
|
9:34
|
Shaky shot slightly above billies head behind her as he gets closer to her.
| |
3
|
13
|
Over the shoulder
|
Billie will check her phone to see no response.
|
Ext
|
9:35
|
Camera will be held above her shoulder as she takes the phone out of her pocket.
| |
4
|
1
|
Mid-shot
|
Billie walking around corner.
|
Ext
|
9:37
|
Zoomed in mid-shot from the other side of the road as she turns into the darker path/alley.
| |
4
|
2
|
POV of Roger
|
Roger right behind Billie, her walking.
|
Ext
|
9:37
|
Camera will be positioned behind Billie in a dark alley/path.
| |
4
|
3
|
Mid-shot/close-up
|
Roger grabbing Billies shoulder and her mouth.
|
Ext
|
9:37
|
Camera will be in a fixed position as she walks forward, then stopping when she gets attacked. The camera will be on a tripod in front of her so you can see Roger behind her.
| |
4
|
4
|
POV of roger/close-up
|
Billie kicking Roger
|
Ext
|
9:38
|
Close up, will have low visibility as there in a dark alley.
| |
4
|
5
|
Dutch tilt
|
Billie running away around the corner.
|
Ext
|
9:38
|
Camera will be positioned at eye level as she runs around the corner.
| |
4
|
6
|
Mid-shot
|
Roger grabbing Billie as she runs
|
Ext
|
9:38
|
Camera will be to the left of them.
| |
4
|
7
|
Close-up, tracking shot
|
Roger attacking Billie
|
Ext
|
9:39
|
Tracking shot of him proceeding to grab her.
| |
5
|
1
|
Close-up/mid-shot
|
Billie being stabbed.
|
Ext
|
9:39
|
Waist height camera position, will be on a tripod.
| |
5
|
2
|
Mid-shot
|
Billie being carried away.
|
Ext
|
9:40
|
Zoomed in mid-shot of Billie being carried away, will then play opening sequence.
|
production schedule-
story board-





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